Year: 2008

  • “What is Your Concept of Love?”

    by
    Donald L. Vasicek
    Writer/Filmmaker/Consultant
    Olympus Films+, LLC
    http://michaelc.nextmp.net/wordpress
    dvasicek@earthlink.net

    "Unconditional Love is Universally Paramount."
    “Unconditional Love is Universally Paramount.”

    From where did all of that stuff about love come?
    The newspaper? Television? All media?
    The movies? A poem? A love story in
    book form? A love story in short story form?
    How your parents taught you about love, or
    were you socialized or conditioned about
    what love is? Your minister? Your priest?
    Your friend? Perhaps the governor of your
    state?

    You get the point. Love comes from a host
    of sources that make us what we are with
    respect to love. Where love gets in the
    way and causes pain, our emotional
    intelligence also becomes involved.

    Emotional intelligence? Yes, emotional
    intelligence. Emotional intelligence
    parallels emotional maturity. Emotional
    maturity is how mature you act or
    react when it comes to love. What
    level of emotional intelligence/maturity
    do you have?

    Do you scream and holler at your loved one(s)
    when you can’t have your way with them?
    Do you stroke your lover’s face with the
    tips of your finger? How is it that you learned
    to make your life all about yourself when it
    comes to wanting to possess the one you
    love?

    Are you capable of letting go? Can you give
    up your workout so that you can watch the
    kids because your husband is going to a
    football game without thinking about yourself?

    Can you take care of the kids when your wife
    is going to a baby shower and your favorite
    game is on television with love, and not
    anger?

    Can you look into your lover’s eyes and see
    beyond the surface, see what is behind her/his
    eyes, what’s going on in there?

    How far will you go with love? What is love,
    to you? Sex? A deep, passionate kiss.
    A tap on the lips?

    A love song? When you tell someone you
    love them, what do you mean? What does
    love mean to you? Think it’s authentic?

    What is authentic love? Well, I’m jabbering
    here. My point is, by going to the trouble
    of learning all you can about love, you will
    develop your concept of love. If you already
    have a concept of love, you probably
    wouldn’t be reading this. Whatever the case
    may be, regardless of how long you have had
    your concept of love, or you are seeking
    your concept of love, you enhance your concept
    of love by learning everything about yourself
    and about love as you can. This approach to
    love develops a concept of love that will
    shelter and protect you if you lose the
    one you love because you will know what
    love is.

    Donald L. Vasicek
    Writer/Filmmaker?Consultant
    Olympus Films+, LLC
    http://michaelc.nextmp.net/wordpress
    dvasicek@earthlink.net

  • “The First Time Ever I Saw Your Face”

    by
    Donald L. Vasicek
    First North American Serial Rights
    About 600 words

    Maybe it was the Mayan symbol for sun tatoo just down
    over your rounded, smooth shoulder. Or the sleeveless,
    flower print dress garnished with those white, little
    daisies against the background of the navy blue cloth, that sort of
    of clung on your hard body like a sack. I don’t know what
    caused it.

    I know I watched your breasts heaving against the
    flowers, behind the cloth each time you took a breath. I
    knew they were there.

    And as you talked, I watched your smooth lips, like
    quarters of fresh peach slices, cause some magic. Yes,
    it was magic that day.

    Up and until then, I always thought of you
    as sweet, young and in China. I wanted to help you like I
    do Panther now that the embolism took away most of his
    right hind leg.

    You know, sort of a be-there-all-the-time-guy to catch
    you when you fall, I guess. Who in the hell knows? Well,
    shit, I know and I’m bleeding to death because of it.

    I walk the halls of life like a paper cup blowing
    across a parking lot. First, I shoot off like a rocket.
    Then, I pause. I wait. I need an attack. And something
    comes along and pushes me so violently I zig zag and bump
    up and down.

    Then, just as brutally, I’m sucked up into this vacuum
    and whipped like cream. I fly from side-to-side and drift
    up into the air like God gave me a gentle shove. Finally, I
    flutter to the asphalt parking lot and a Humvee runs over
    me.

    Since that day I’ve been a stranger to myself.
    It was the words you spoke that day. It was how you
    spoke them. It was how you talked limitlessly, unguarded,
    secure, happy and confident in yourself. You burrowed into
    me with your shyness tapping your finger just above your
    mouth on the right side. Your words. Your unruffled face.
    The sparkle of your blue eyes against your pristine black,
    so black, wavy, soft hair, mauled me. And yet, your hair
    was sort of a rust color like Panther’s sheer black coat
    when a sliver of sun slices across him like it did to you
    across the table from me that day.

    It’s a dichotomy, you know. Faultless black with a
    wedge of rust in it. Nothing is perfect, or is it?
    It were as though I changed from one minute to
    the next that day. We met for lunch just like we had all
    those times before. To talk film. Books. To talk
    writing. Politics. Denver. Columbine. Jeff. Moving to
    LA. The Women In Film Group. Your dad. Your mom.
    Juney and Anthony. Baltimore. Your script.
    My script. My, my, my.

    And when you pushed the salad into your mouth, you
    know, the lettuce, the tomato, the cabbage, the sprouts,
    the sunflower seeds, the carrots, the cucumbers and the
    pinch of vinegar and oil, I watched you like I beheld THE
    CIDER HOUSE RULES. They sort of folded into each other and
    disappeared somewhere inside of you.

    It was like reading an Elmore Leonard novel. I couldn’t
    wait to get to the next word, the next sentence, the next
    paragraph, the next page, the next chapter and the end of
    the book. Even though I was working my ass off immersed in
    you without even realizing it, the essence of your being
    permeated my subconscious mind. It nailed the fortress of
    your sum and substance into me. I was hammered into a
    consciousness that twisted my life around like a corkscrew.

    Before that day, I perceived you as a sweet, young
    woman who was bright, worldly, naive about the film
    business and your heart, and attractive. I never gave one
    thought to loving you. Not one thought before that day.

    You were too genuinely nice to me. Too innocent-like. So,
    so delightful. You accepted me for who I was. A
    writer/filmmaker. Mostly positive, pleasant, but a pariah.

    A renegade. I spoke like one about how we treat animals
    and how we should treat animals. And about guns and
    Charlton Heston and how I wondered if I should send him a
    card of praise everytime someone was killed by a gun or
    when he read the BIBLE on PBS. Somehow, it reminded
    me when I first noticed that our town mayor was
    someone who murdered animals and he went to
    church every Sunday. How can that be?

    You laughed. Just laughed and looked into my eyes.

    I’m still not sure if you agreed or disagreed with me. The
    thing that probably riveted me to you more than anything
    else was how closely you and I were able to talk with each
    other. We were able to be our human selves.

    Isn’t that remarkable? It made me feel as though
    we were one. Since then, I haven’t been able to
    think about anything or anyone else except you.
    Well, maybe, except Panther and my writing.

    How can this be, darling? You’ve gone off with some
    handsome dude, a good guy, and I saw you being pregnant,
    and I didn’t even get to tell you that I love you.

  • “Unique Promotion for Authors”

    by
    Donald L. Vasicek
    Olympus Films+, LLC
    Writing/Filmmaking/Consulting
    http://michaelc.nextmp.net/wordpress
    dvasicek@earthlink.net

    What is passion? Merriam Webster in part defines passion as, “…the emotions as distinguished from reason…” By tapping into your passion, you will be able to write as you’ve never written before. And this, in turn, will work as a subliminal approach to promoting yourself and your writing.

    Before you write one word, look deeply inside of yourself when an idea comes to mind about which you would like to write. You must use the who, what, where, when and why journalistic approach to identify that which is deep inside of yourself and relate it to the idea that has come to mind you want to write about. By utilizing this approach, you can identify your passion and write with ruthless abandon.

    So, ask the questions.

    What caused the idea to come to mind? Perhaps you saw a child weeping. She was holding her finger. It was bleeding. You wanted to reach out to her, but you were a stranger and her parents were there. You still wanted to help her with her fear and pain. Why?

    You were inspired to write a short story about what you saw. Why? The inspiration came from deep within the wells of your heart and mind as you remembered when you got hurt when you were a kid and no one came to help you. This inspiration is your passion for helping children in need now because no one was there when you were a kid and needed help.

    Identify when it happened. What were you doing? What caused you to get hurt? Why were you alone? Where were you? Why did you get hurt?

    You get the picture.

    This unique approach should also guide you to the use of your five senses. What did you taste at the time you were hurt? What did you see? What kind of sound or sounds were present? How did you feel (emotionally)? What were you touching? How did it feel? By using the five senses, it will help place you back in time so that you are able to more realistically write the story.

    This approach results in passion and will enable you to write from your heart (emotion) and mind (reason), together. The power of combining your mind (reason) and heart(emotion) instead relying on one or the other, will bring out the essence of what you are writing about. This, in turn, will draw readers to you and your writing.

    Donald L. Vasicek
    Olympus Films+, LLC
    Writing, Filmmaking, Consulting
    http://michaelc.nextmp.net/wordpress
    dvasicek@earthlink.net