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	<title>Donald L. Vasicek on Writing and Screenwriting &#187; screenwriting</title>
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	<description>Writing and Screenwriting</description>
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		<title>&#8220;How to Write Texting Into Your Screenplay&#8221;</title>
		<link>http://donvasicek.com/screenwriting/how-to-write-texting-into-your-screenplay/</link>
		<comments>http://donvasicek.com/screenwriting/how-to-write-texting-into-your-screenplay/#comments</comments>
		<pubDate>Wed, 30 Jun 2010 16:00:32 +0000</pubDate>
		<dc:creator>Donald L. Vasicek</dc:creator>
				<category><![CDATA[screenwriting]]></category>

		<guid isPermaLink="false">http://donvasicek.com/?p=246</guid>
		<description><![CDATA[INT. WHITE HOUSE/OVAL OFFICE &#8211; DAY President Obama drops his eyes down to his mobile phone. He begins texting. PHONE SCREEN/VO America&#8217;s indigenous people must be respected. BACK TO SCENE President Obama looks up from his phone. His eyes stop on an Indian Chief&#8217;s headdress leaning next to a photo of Cheyenne Chief Black Kettle. [...]]]></description>
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		<title>&#8220;Screenwriting Books&#8221;</title>
		<link>http://donvasicek.com/screenwriting/screenwriting-books/</link>
		<comments>http://donvasicek.com/screenwriting/screenwriting-books/#comments</comments>
		<pubDate>Tue, 29 Jun 2010 16:35:22 +0000</pubDate>
		<dc:creator>Donald L. Vasicek</dc:creator>
				<category><![CDATA[screenwriting]]></category>

		<guid isPermaLink="false">http://donvasicek.com/?p=239</guid>
		<description><![CDATA[Screenwriting Books Utilize Unique Approaches to Screenwriting The screenwriting world is subjective. Go to any screenwriting book. You will find each book has its unique approach to writing screenplays. Just like discussing a movie with someone after both of you&#8217;ve seen it, varying opinions about the movie will emerge. While you may have loved the [...]]]></description>
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		<title>&#8220;How to Become a Screenwriter&#8221;</title>
		<link>http://donvasicek.com/screenwriting/how-to-become-a-screenwriter/</link>
		<comments>http://donvasicek.com/screenwriting/how-to-become-a-screenwriter/#comments</comments>
		<pubDate>Tue, 29 Jun 2010 16:29:50 +0000</pubDate>
		<dc:creator>Donald L. Vasicek</dc:creator>
				<category><![CDATA[screenwriting]]></category>

		<guid isPermaLink="false">http://donvasicek.com/?p=235</guid>
		<description><![CDATA[Award-winning Writer/Filmmaker Donald L. Vasicek gives tips on how to become a screenwriter.]]></description>
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		<item>
		<title>&#8220;Cursing in Movies&#8221;</title>
		<link>http://donvasicek.com/screenwriting/cursing-in-movies/</link>
		<comments>http://donvasicek.com/screenwriting/cursing-in-movies/#comments</comments>
		<pubDate>Mon, 17 May 2010 22:23:31 +0000</pubDate>
		<dc:creator>Donald L. Vasicek</dc:creator>
				<category><![CDATA[screenwriting]]></category>
		<category><![CDATA[cursing]]></category>
		<category><![CDATA[movie]]></category>
		<category><![CDATA[screenplay]]></category>
		<category><![CDATA[theme]]></category>

		<guid isPermaLink="false">http://donvasicek.com/?p=204</guid>
		<description><![CDATA[Find out how to deal with cursing when writing your screenplay.]]></description>
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		<title>&#8220;The Protagonist&#8217;s Journey&#8221;</title>
		<link>http://donvasicek.com/screenwriting/the-protagonists-journey/</link>
		<comments>http://donvasicek.com/screenwriting/the-protagonists-journey/#comments</comments>
		<pubDate>Thu, 13 May 2010 15:55:03 +0000</pubDate>
		<dc:creator>Donald L. Vasicek</dc:creator>
				<category><![CDATA[screenwriting]]></category>
		<category><![CDATA["Aladdin"]]></category>
		<category><![CDATA["Chinatown"]]></category>
		<category><![CDATA["Crazy Heart"]]></category>
		<category><![CDATA["E. T."]]></category>
		<category><![CDATA["High Noon"]]></category>
		<category><![CDATA["Raiders of the Lost Ark"]]></category>
		<category><![CDATA["Romancing the Stone"]]></category>
		<category><![CDATA["Star Wars"]]></category>
		<category><![CDATA["The African Queen"]]></category>
		<category><![CDATA["The Hurt Locker"]]></category>
		<category><![CDATA["Witness"]]></category>
		<category><![CDATA[act 1]]></category>
		<category><![CDATA[act 2]]></category>
		<category><![CDATA[act 3]]></category>
		<category><![CDATA[chris vogler]]></category>
		<category><![CDATA[hero]]></category>
		<category><![CDATA[how to sell your idea to Hollywood]]></category>
		<category><![CDATA[joseph campbell]]></category>
		<category><![CDATA[movie studios]]></category>
		<category><![CDATA[protagonist]]></category>
		<category><![CDATA[Robert Kosberg]]></category>
		<category><![CDATA[the hero of a thousand faces]]></category>
		<category><![CDATA[The Hunt for Red October"]]></category>

		<guid isPermaLink="false">http://donvasicek.com/?p=199</guid>
		<description><![CDATA[Award-winning writer/filmmaker Donald L. Vasicek shows how to write a powerful story that will succeed at the box office.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How Do You Start To Learn Screenwriting?</title>
		<link>http://donvasicek.com/screenwriting/how-do-you-start-to-learn-screenwriting/</link>
		<comments>http://donvasicek.com/screenwriting/how-do-you-start-to-learn-screenwriting/#comments</comments>
		<pubDate>Sat, 06 Mar 2010 18:30:05 +0000</pubDate>
		<dc:creator>Donald L. Vasicek</dc:creator>
				<category><![CDATA[screenwriting]]></category>
		<category><![CDATA[disney]]></category>

		<guid isPermaLink="false">http://donvasicek.com/?p=130</guid>
		<description><![CDATA[The first time I wanted to write a script, I wrote it. I went to the local book store and bought every book on screenwriting. I studied the books and drafted a screenplay. This led to a rewrite. Rewriting is screenwriting. It&#8217;s like sculpting. The writer refines and refines always striving for perfection. Perfection is [...]]]></description>
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		<title>“Anatomy of Page One of Screenplays That Get Produced”</title>
		<link>http://donvasicek.com/screenwriting/%e2%80%9canatomy-of-page-one-of-screenplays-that-get-produced%e2%80%9d/</link>
		<comments>http://donvasicek.com/screenwriting/%e2%80%9canatomy-of-page-one-of-screenplays-that-get-produced%e2%80%9d/#comments</comments>
		<pubDate>Fri, 06 Feb 2009 22:22:10 +0000</pubDate>
		<dc:creator>Donald L. Vasicek</dc:creator>
				<category><![CDATA[screenwriting]]></category>
		<category><![CDATA[academy award]]></category>
		<category><![CDATA[billy bob thornton]]></category>
		<category><![CDATA[j t walsh]]></category>
		<category><![CDATA[main character]]></category>
		<category><![CDATA[metaphor]]></category>
		<category><![CDATA[movie]]></category>
		<category><![CDATA[page one]]></category>
		<category><![CDATA[screenplays]]></category>
		<category><![CDATA[setting]]></category>
		<category><![CDATA[sling blade]]></category>
		<category><![CDATA[the crown]]></category>
		<category><![CDATA[time frame]]></category>

		<guid isPermaLink="false">http://donvasicek.com/?p=61</guid>
		<description><![CDATA[How to hook Hollywood on page one of your screenplay.]]></description>
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		</item>
		<item>
		<title>&#8220;How To Establish the Dramatic Premise of your Screenplay and Beyond&#8221;</title>
		<link>http://donvasicek.com/screenwriting/how-to-establish-the-dramatic-premise-of-your-screenplay-and-beyond/</link>
		<comments>http://donvasicek.com/screenwriting/how-to-establish-the-dramatic-premise-of-your-screenplay-and-beyond/#comments</comments>
		<pubDate>Mon, 12 Jan 2009 22:41:24 +0000</pubDate>
		<dc:creator>Donald L. Vasicek</dc:creator>
				<category><![CDATA[screenwriting]]></category>
		<category><![CDATA[articles]]></category>
		<category><![CDATA[character]]></category>
		<category><![CDATA[climax]]></category>
		<category><![CDATA[dramatic premise]]></category>
		<category><![CDATA[ephiphany]]></category>
		<category><![CDATA[film business]]></category>
		<category><![CDATA[Kung Fu]]></category>
		<category><![CDATA[metaphor]]></category>
		<category><![CDATA[MGM]]></category>
		<category><![CDATA[periphery characters]]></category>
		<category><![CDATA[screenplay]]></category>
		<category><![CDATA[story]]></category>
		<category><![CDATA[theme]]></category>
		<category><![CDATA[warriors of virtue]]></category>

		<guid isPermaLink="false">http://donvasicek.com/?p=55</guid>
		<description><![CDATA[So, you began your screenplay with a visual metaphor. You’ve
introduced your main character, the setting, the time, the theme, and
you’re introducing other major and periphery characters. You’re
getting to like your story pretty well, when all of sudden you hit a
block. What is your story about?]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;Sex Abuse, Screenwriting, and Hollywood&#8221;</title>
		<link>http://donvasicek.com/screenwriting/sex-abuse-screenwriting-and-hollywood/</link>
		<comments>http://donvasicek.com/screenwriting/sex-abuse-screenwriting-and-hollywood/#comments</comments>
		<pubDate>Wed, 08 Oct 2008 19:28:44 +0000</pubDate>
		<dc:creator>Donald L. Vasicek</dc:creator>
				<category><![CDATA[screenwriting]]></category>

		<guid isPermaLink="false">http://donvasicek.com/?p=49</guid>
		<description><![CDATA[by Donald L. Vasicek Olympus Films+, LLC Writing/Filmmaking/Consulting http://www.donvasicek.com dvasicek@earthlink.net Hi, Leslie, Thank you for your questions. You are wise by asking questions before acting on your heart. It is practical to get into screenwriting if you are offered a contract that pays Writer&#8217;s Guild of America rates, including, at the least, two rewrites. And [...]]]></description>
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		</item>
		<item>
		<title>&#8220;The Logline&#8221;</title>
		<link>http://donvasicek.com/screenwriting/the-logline/</link>
		<comments>http://donvasicek.com/screenwriting/the-logline/#comments</comments>
		<pubDate>Sun, 24 Aug 2008 16:01:45 +0000</pubDate>
		<dc:creator>Donald L. Vasicek</dc:creator>
				<category><![CDATA[screenwriting]]></category>
		<category><![CDATA[active verbs]]></category>
		<category><![CDATA[Catching the Fall]]></category>
		<category><![CDATA[dialogue]]></category>
		<category><![CDATA[don vasicek]]></category>
		<category><![CDATA[donald l vasicek]]></category>
		<category><![CDATA[industry standards]]></category>
		<category><![CDATA[logline]]></category>
		<category><![CDATA[main character]]></category>
		<category><![CDATA[movie guides]]></category>
		<category><![CDATA[olympus films llc]]></category>
		<category><![CDATA[plot]]></category>
		<category><![CDATA[screenplay]]></category>
		<category><![CDATA[screenwriter]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[synopsis]]></category>
		<category><![CDATA[television]]></category>
		<category><![CDATA[theater]]></category>
		<category><![CDATA[treatment]]></category>
		<category><![CDATA[words]]></category>
		<category><![CDATA[writing]]></category>

		<guid isPermaLink="false">http://donvasicek.com/?p=44</guid>
		<description><![CDATA[The logline must show what your movie is about. You have about a minimum of five or six words and a maximum of three, five to six word sentences to show it in the logline. The shorter, the better. If you are serious about writing, selling and getting your screenplays produced, then, you must think [...]]]></description>
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