“How to Become a Screenwriter”

The Reality of Becoming a Screenwriter

There are a variety of approaches to becoming a screenwriter. First, erase the idea from your mind that simply by becoming a screenwriter, you will experience fortune and fame. The reality of becoming a screenwriter means that you must accept the fact that there are only about 500 films made a year that reach the big screen. If you check with the Writer’s Guild of America, you will discover that there are thousands of new screenwriters each year who register their scripts with the Guild. So, the competition is great. Simply becoming a screenwriter is simply, that, nothing more, nothing less.

Film School Provides the Aspiring Screenwriter Opportunities

Many people who desire to become a screenwriter study film in college. New York University, UCLA, and the University of Southern California, as well as numerous other colleges, offer film study programs. The upside of learning film is that you take a number of courses that cover various elements of filmmaking. Screenwriting is one, of many elements of film. Others classes include directing, shooting film, editing film, sound, lighting, and host of other classes. Perhaps, surprisingly, what film school offers as well is networking. Networking, in Hollywood, is many times more vital than most other film activities. People connected to the film industry teach film in colleges and universities. By working and studying hard, you can get referrals, etc. from some of your instructors. Film schools, for the most part, are expensive. And, required classes are such that learning screenwriting only skims the surface of what screenwriting really is. A focus on the technical aspect of filmmaking is more prevalent. There is very little learning with respect to how filmmaking is, in the trenches.

Numerous Other Avenues to Becoming a Screenwriter are Available

If you have a day job, are unable to afford film school, and desire to become a screenwriter, be sure and look inside of yourself as to why you want to do this, before you embark on this journey. Screenwriting classes, seminars, workshops, screenwriting competitions, etc. are readily available via the Internet. You can find that there is usually one, or more of these taking place close to where you live. You can also study how to become a screenwriter through a variety of books. Vicki King’s, “How To Write a Movie in 21 Days”, Syd Field’s, “Screenplay” and “The Screenwriter’s Workbook”, Michael Hague’s “Writing Screenplays That Sell”, and Linda Segar’s, “How to Make a Good Script Great” are a few.

Be Realistic

The fine point of becoming a screenwriter resides in your ability to watch movies and learn from them. Also, you can obtain screenplays via the Internet. By studying screenplays, you can get an idea about how screenplays are written. The lucrative aspect of screenwriting resides in a combination of events. You must learn how to write screenplays. You must write screenplays. You must market your screenplays. You must be willing to “put yourself out there” and network. Connecting yourself with people in the film industry will give you opportunities to becoming a screenwriter. The fine point of becoming a screenwriter is to understand and accept the fact that just because you are becoming a screenwriter, there are no guarantees that it will become lucrative for you. The best you can do is to keep your day job until becoming a screenwriter provides you with an income with which you can live.

About Donald L. Vasicek

Award-winning writer/filmmaker Donald L. Vasicek studied producing, directing and line producing at the Hollywood Film Institute under the acclaimed Dov Simens and at Robert Redford’s Sundance Institute. He studied screenwriting at The Complete Screenplay, Inc., with Sally Merlin, daughter of the famed Hollywood Merlin family of screenwriters and writers, as his mentor. Don has taught, mentored, and is a script consultant for over 300 writers, directors, producers, actors and production companies. He has also acted in NBC’s “Mystery of Flight 1501”, ABC’s Father Dowling starring Thomas Bosley, and Red-Handed Productions’ “Summer Reunion.” These activities have resulted in his involvement in over 100 movies during the past 23 years, from major studios to independent films including MGM’s $56 million “Warriors of Virtue”, Paramount Classic’s “Racing Lucifer”, American Picture’s “The Lost Heart” and “Born To Kill” starring the Charles Bronson of Korea, Bobby Kim, and his internationally-known brother, Richard, who directed, Incline Productions, Inc.’s “Born To Win”, 20th Century Fox’s “Die Hard II” starring Bruce Willis with Rennie Harlan as director, and Joel Silver as producer, Olympus Films+, LLC’s “Haunted World” with Emmy-nominated PBS Producer Alison Hill, and Olympus Films+, LLC’s “Faces”, “Oh, The Places You Can Go” and the award-winning “The Sand Creek Massacre” documentary film. Don also has written and published over 500 books, short stories and articles. His books include “How To Write, Sell, And Get Your Screenplays Produced” and “The Write Focus.” He has been a guest screenwriting and filmmaking columnist for Hollywood Lit. Sales, Moondance International Film Festival’s e-zine, Screenwriter’s Forum, Screenplace, Screenplayers.Net, Screenwriters.Net, Screenwriters Utopia, Spraka & Kinsla (Swedish), Inkwell Watch, and Ink On the Brain. Writing recognition includes Houston’s WorldFest International Film Festival, Chesterfield’s Writer’s Film Project, Writer’s Digest, The Sundance Institute, The Writer’s Network, and the Rocky Mountain Writer’s Guild, Inc. Don completed producing “The Sand Creek Massacre”, a documentary film project that includes the completed and award-winning documentary short, a book, a classroom video, Interactive Media, a study guide, and a lesson plans. The film is being distributed by Films Media Group. Don is on the board of directors of the American Indian Genocide Museum in Houston. He is the founder and owner of Olympus Films+, LLC, a global writing and filmmaking company and a screenwriting volunteer on AllExperts.com. Don’s screenwriting agent is Robin Kaver of the Robert Freedman Dramatic Agency, Inc., 1501 Broadway, Suite 2301 New York, NY 10036, 212-840-5751.
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