The Secret to Effective Writing

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A favorite Zen story in which three men are
observing a flag fluttering in the breeze: One
man says, The flag is moving. The second
man says, The wind is moving. The third
man says, You are both wrong, it is your
mind that is moving.

If you look inside of yourself, you will see
the information you need to be successful.
This information contains everything you
need to be successful. The secret to
tapping into this information is contained
in The Zen of Writing.

How so, you ask?

Look inside of yourself and you will see
the answer. This is the secret to successful
writing and/or filmmaking. Look inside
of yourself and you will see the secret.

Why is it that Steven Spielberg is a
successful filmmaker? He has the ability
to look inside of himself and see the secret.

Why is Stephen King a successful novelist?
He has the ability to look inside of himself
and see the secret.

What do you seek when you write a letter,
or make a corporate video? Do you look
outside or inside of your mind and heart?
When you look inside of your mind and
heart you enhance your ability to see the
secret to being successful in your undertaking.
When you look outside of your mind and heart,
you have no ability to see the secret to being
successful.

What rings true in each one of us is our
ability to think and feel. When we tap
into those senses to write a screenplay
or make a film, we look inside of ourselves.
We see the secret to successfully writing the
screenplay or making a film successful.

You might ask, but I do that and I see
nothing. The reason you see nothing is
because you allow yourself to avoid seeing
the secret. You allow yourself to avoid seeing
the secret because you do not know how to
see the secret.

With The Zen of Writing, you will see the secret.
You need simply to contact me to learn how to
tap into that secret.

Peace, Light and Love,
The Zen of Writing

How to Act

For everyone who has ever enjoyed watching a movie,
watch this 2 minute 23 second video. You’ll learn
something. It will be fun. You will go away knowing
something you do not now know. And it will cause
you to laugh. What more can you ask?

Donald L. Vasicek
Olympus Films+, LLC
The Zen of Writing & Screenwriting

http://www.donvasicek.com

dvasicek@earthlink.net
303-903-2103

http://www.sandcreekmassacre.net

http://captainmovie.weebly.com/

HIKING IN DEER CREEK CANYON, COLORADO

Screenplay

Screenplay

“How To Get Into Screenwriting”
by
Donald L. Vasicek

Getting into screenwriting requires a variety of steps. Step one is to learn how to write scripts. There are a number of books in book stores and online that show you how to write scripts. Most bookstores and on online sell some of the more popular books that teach you how to write scripts. They include “How To Write A Movie In 21 Days” by Viki King, “Screenplay” and “The Screenwriter’s Workbook” by Syd Field, “Writing Screenplays That Sell” by Michael Hague, “The Screenwriter’s Bible” by David Trottier”, “Screenwriting 434” by Lew Hunter, etc.

Many local colleges and universities have scriptwriting classes that teach how to write scripts. Major colleges and universities like New York University, UCLA, the University of Southern California and the University of Colorado have curriculums which give the prospective screenwriter classes on screenwriting. Scriptwriting groups, associations and organizations exist in many cities that can help you learn the basics of screenwriting. Check with your state and/or local film commission to find a list of these gatherings.

Step number two is to write the script. Study movies that interest you because it is likely those are the kinds of movies that you are going to be writing and if you want to sell your scripts and get them produced. Rent movies. Outline each scene. Learn the genre format of movies that have been produced. Incorporate this format into your scripts. If you have problems doing this, it is possible that your movie idea would better written as a short story or a novel.

Plan on rewriting your scripts until they fit the passion you have for what you are writing. In other words, look inside of yourself and find out why you are interested in writing the script you want to write. Answer the questions, what brought this idea to your mind, who was involved, where were you at the time, when was it and how did you come up with the idea? You must honestly answer these questions so that you can get your characters, the story and your passion for the character and story down right in the script. Once you have convinced yourself that you have rewritten your script to the best of your ability, then go to step three.

Step number three is to hire a script consultant. You can find script consultants online as well as in the library in film directories and publications. Be sure and hire a professional script consultant, one who has had experience being produced as a screenwriter. If you are writing a screenplay (movie scripts are usually referred to as screenplays) make sure the script consultant you hire has a background in feature movie screenplays. If you are writing a teleplay (television scripts are usually referred to as teleplays), be certain the script consultant you have has a background in television. Script consultants can cost $150 and up.

Step number four is that once you have your script as fine-tuned as possible based on your work with the script consultant, then register your script with the Writer’s Guild of America and/or have it copyrighted with the Library of Congress. You can find information on how to contact these organizations in your library or online.

Step number five is to market your script. Get a copy of “The Hollywood Creative Directory for Agents” and “The Hollywood Creative Directory for Producers.” You can find these publications in your library, online and in film publications. Call the agencies, ask them if you can pitch your script to an agent, or if you can send them a query letter. If they ask you to send them a query letter, make sure you get someone’s name you can address it to. Call producers simulatenously as you call agents. Ask them if you can pitch your screenplay to them. They will tell you what to do from that point forward. Should agencies and/or producers ask to see your script, send it to them. Give them one month to respond to you. If they don’t respond in one month, call them and ask them if they received your script and for an update on it if they did receive it.

Step number six is to network. Check film production companies and producers locally, in Los Angeles (Los Angeles is the heart of the film business in the world), and in New York to see if you can get a job in the mail room (working in a film production mail room creates the opportunity to meet people who can be helpful to your scriptwriting career)or another entry level job. You can also work as an intern for most film companies which is an excellent way of meeting people in the film business. The film business is a people business, so networking is vital. You can also find scriptwriting seminars, workshops, conferences, etc. listed in references in your library that you can attend to learn about scriptwriting as well as meeting people who work in the film industry.

As you can see, there are a variety of methods you can employ to get into screenwriting. The fine point of getting into screenwriting, however, is you need to be creative, ambitious, possess a willingness to work hard, be professional and have a hard shell as a protective covering for the emotional peaks and valleys that you will experience. That is the nature of the film business.