“Selling Your Screenplay”

Regardless of how talented one might be with respect to
screenwriting, regardless of how hard one might work to write
market ready screenplays, regardless of how passionate one
might be with respect to writing screenplays, the key
ingredient to success is “perseverance”.

So, with that, agents and producers are very busy people. Many
of their offices contain scripts that are stacked in every
available space. These scripts are waiting to be read. In order
to get your screenplays noticed by agents and producers, you must
write a query letter. An article I wrote, “How to Write an Irresistible
Query Letter” is on my web site at http://www.donvasicek.com. Or simply
run a search on Google or you can purchase the book at Walden’s, “How to
Sell Your Screenplay”, by Joan and Lydia Wilen. These can give you the tips
you need to write an effective query letter.

Once you have written the query letter, then do a search on the
Internet to find agents and producers to whom you can send your query
letter. InkTip.com is an excellent website where you can post your
screenplays for sale. Producers and agents come to the site in search
of screenplays. You can also write a very short “pitch” script with
which to make cold calls to agents and producers. Here, write the
pitch so that you can get through the gatekeepers to the director of
development or story editor or creative director. A key here is to
make the gatekeepers feel like if they pass you through to whom you
want to talk, they will benefit by doing this.

Your chance of selling your screenplays are very low. There are far
more screenplays “out there” than there are agents and producers. More
than 5,000 screenplays are registered with the Writer’s Guild of America
every year (be sure and register yours with them or go to the Library of
Congress website and take out a copyright on them). Less than 600 movies
are produced each year that obtain theatrical release.

The way this works is that if you find an agent or agents and/or a producer
or producers who are interested in your screenplays, you will send your
screenplays to them (be sure and enclose a self-addressed, self-stamped
envelope with the screenplay so that they can send it back of they pass
on it). They will read them. If they have an interest in any of them, they
will contact you and tell you that. From that point forward, an agent will
negotiate a contract with you to represent the screenplay. Do not expect
an agent to be aggressive with your screenplay. Once you acquire an agent,
you must continue to market your screenplays on your own. The Internet
contains a vast resource of markets with which to do that.

As for a producer who has interest in your screenplay, he/she will offer you
some sort of contract. It could be an option/purchase contract which means
they will seek financing until the option runs out. At that point in time,
they will either renew the option or turn the screenplay back to you. If
they acquire financing, they will offer you a price for your screenplay.

At all times, think in terms of hiring an entertainment attorney to help you
with negotiations with agents and producers and the execution of contracts. I
can put you in touch with one when you feel that you need one.

So, you have your work cut out for you. Others have walked the same path
you are walking. They have succeeded. There is no reason you can’t. If
you persevere, you will succeed.

Award-Winning Writer/Filmmaker Donald L. Vasicek

About Donald L. Vasicek

Award-winning writer/filmmaker Donald L. Vasicek studied producing, directing and line producing at the Hollywood Film Institute under the acclaimed Dov Simens and at Robert Redford’s Sundance Institute. He studied screenwriting at The Complete Screenplay, Inc., with Sally Merlin, daughter of the famed Hollywood Merlin family of screenwriters and writers, as his mentor. Don has taught, mentored, and is a script consultant for over 300 writers, directors, producers, actors and production companies. He has also acted in NBC’s “Mystery of Flight 1501”, ABC’s Father Dowling starring Thomas Bosley, and Red-Handed Productions’ “Summer Reunion.” These activities have resulted in his involvement in over 100 movies during the past 23 years, from major studios to independent films including MGM’s $56 million “Warriors of Virtue”, Paramount Classic’s “Racing Lucifer”, American Picture’s “The Lost Heart” and “Born To Kill” starring the Charles Bronson of Korea, Bobby Kim, and his internationally-known brother, Richard, who directed, Incline Productions, Inc.’s “Born To Win”, 20th Century Fox’s “Die Hard II” starring Bruce Willis with Rennie Harlan as director, and Joel Silver as producer, Olympus Films+, LLC’s “Haunted World” with Emmy-nominated PBS Producer Alison Hill, and Olympus Films+, LLC’s “Faces”, “Oh, The Places You Can Go” and the award-winning “The Sand Creek Massacre” documentary film. Don also has written and published over 500 books, short stories and articles. His books include “How To Write, Sell, And Get Your Screenplays Produced” and “The Write Focus.” He has been a guest screenwriting and filmmaking columnist for Hollywood Lit. Sales, Moondance International Film Festival’s e-zine, Screenwriter’s Forum, Screenplace, Screenplayers.Net, Screenwriters.Net, Screenwriters Utopia, Spraka & Kinsla (Swedish), Inkwell Watch, and Ink On the Brain. Writing recognition includes Houston’s WorldFest International Film Festival, Chesterfield’s Writer’s Film Project, Writer’s Digest, The Sundance Institute, The Writer’s Network, and the Rocky Mountain Writer’s Guild, Inc. Don completed producing “The Sand Creek Massacre”, a documentary film project that includes the completed and award-winning documentary short, a book, a classroom video, Interactive Media, a study guide, and a lesson plans. The film is being distributed by Films Media Group. Don is on the board of directors of the American Indian Genocide Museum in Houston. He is the founder and owner of Olympus Films+, LLC, a global writing and filmmaking company and a screenwriting volunteer on AllExperts.com. Don’s screenwriting agent is Robin Kaver of the Robert Freedman Dramatic Agency, Inc., 1501 Broadway, Suite 2301 New York, NY 10036, 212-840-5751.
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