“Theme, Characters, Story Elements”

"Unconditional Love is Universally Paramount."
“Unconditional Love is Universally Paramount.”

by
Donald L. Vasicek

All entertaining and creative writing springs from the writer’s ability to tell a story. And this story doesn’t have to be fiction. All effective writing springs from putting the story together in a coherent fashion.

A story must have a beginning, a middle and an end, and not necessarily in that order, but those three elements must “be there” in order to make what you are writing effective. The story must have a defining theme. A defining theme is the main theme of the story.

For example, if the story is about an apple, then everything in the story must relate directly, or indirectly to the apple. If the apple begins its life in the tree in the story and its struggle in the story is to become an full grown apple, then elements must be introduced in the story like the weather, the human being, the animal, etc. that are trying to prevent the apple from becoming a full grown apple.

It is the apple’s job in the story to fight and defeat each one of these “opponents”, with one of these “opponents” being the main threat to the apple. The main opponent should reflect what the apple wants, to become a full grown apple, but the main opponent, which is the villain or antagonist in the story, depending upon if the writer is telling a story about a fight between good and evil (villain) or a story that represents a competitive force (antagonist) to the apple’s goal.

This, then, introduces conflict, and without conflict in any story, there is no drama, and if there is no drama, there is no story, just a series of sentences that are saying something about the apple. And this could be where many writers are at in their writing dilemma. You must tell a compelling story that the reader can relate to on an emotional level, or you will lose the reader before they finish reading what you have written.

Get on the right track by “being yourself” in your writings. That is vital to be effective in your writing. So, what you need to do is rethink your approach to your writing style, perhaps rewrite something you have written utilizing the above suggestions.

If this resonates with you, good! If it does not then, I am hopeful that you continue your quest to be an effective writer. You’re never not that far off. You just needs to shift your writing a bit and you’ll be on your way!

Best Regards,
Don Vasicek

“How To Write a Story”

HIKING IN DEER CREEK CANYON, COLORADO

How do you write a story? Anyone want to venture a guess?
My guess is that you have a theme that should work like
a thread that holds the story together. The story should
have a beginning, a middle and an end. There should be a
main character who has a goal and transformation arc.

Seeking the goal should cause the main character to
transform. This way, the story won’t fall flat because
the main character is changing. And every story should
have an antagonist (in fiction, an antagonist can be a
person, object, thing, etc. the fine point of this is
that an antagonist is different than a villain). A villain
must represent pure evil with no redeeming characteristics.
Whereas, an antagonist should have redeeming characteristics.

So, by having an antagonist, or a villain, you should
also have the antagonist or villain seeking the same
goal as the main character, but for different reasons.
And the villain goes about accomplishing his/her goal
in a different way than the hero/main character does
with his/her goal. This, in turn, then causes conflict.
And this, in turn, creates drama. Without drama there
is no conflict. Without conflict there is no story.
And all of this is applicable to anything one writes
including fiction. So, do some reading and check it
out. You’ll find this article is right on for you.

Donald L. Vasicek
Olympus Films+, LLC
The Zen of Writing
http://michaelc.nextmp.net/wordpress
dvasicek@earthlink.net

Writing Story Beats

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When writing a screenplay, by writing story beats first, it helps you organize your thoughts into a more coherent form. Once you complete writing the story beats, you can then begin writing each scene for your screenplay. By following this approach, you will find that you have a road map to follow with respect to your story beats. So, much of your grunt work goes into the story beats, while most of your creative work goes into the writing of each scene.

Story beats should show each scene in brief form. They do not have to be written in perfect grammar. They simply need to be written down in order. Story beats can be looked upon as idea beats. You have an idea for a scene. What should take place in that scene.? “Oh, yeah, this, this, and this.” Bang! You’ve written your story beats for the first scene. A word of caution, always enter your scene at the last moment and get out of the scene as soon as you can.

For example, on page 1/minute 1 of my screenplay/movie, “The Caller”, I introduce the setting. I introduce the main character. I show what she does as a professional. I show how she acts and reacts around other people. Bang! I move to the next page/scene. The story beats are: Introduce the setting. Introduce the main character. Show what she does as a professional. Show how she acts and reacts around other people. Get out, move to the next page/scene.

Once you get some story beats down, you will find that ideas come up where you want to write more in story beats you’ve already written. So, do that. If you want to expound on the setting, e.g., then add to introduce the setting, behind the stage of a fashion show. Then, get back to your story beats for the scene on which you are presently working.

Writing story beats are refreshing and very helpful to writing a multi-dimensional screenplay, something for which every screenwriter should strive.

Story beats 1, 2, 3, 4, 5, 6...