How to Write a Story

How do you write a story? Anyone want to venture a guess? My guess is that you have a theme that should work like a thread that holds the story together. The story should have a beginning, a middle and an end. There should be a main character who has a goal and transformation arc. Seeking the goal should cause the main character to transform. This way, the story won’t fall flat because the main character is changing.

And every story should have an antagonist (in fiction, an antagonist can be a person, object, thing, etc. the fine point of this is that an antagonist is different than a villain. A villain must represent pure evil with no redeeming characteristics. Whereas, an antagonist should have redeeming characteristics). By having an antagonist, or a villain, you should also have the antagonist or villain seeking the same goal as the main character, but for different reasons. This, in turn, then causes conflict. And this, in turn, creates drama. Without drama there is no conflict. Without conflict there is no story. And all of this is applicable to anything one writes including fiction. So, do some reading and check it out. You’ll find this article is right on for you.

Award-Winning Writer/Filmmaker Donald L. Vasicek (on the right)
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Screenplays, WGA, Copyrights

In Reed Martin’s, “The Reel Truth”, he recommends that filmmakers copyright their screenplays. The reason for this is that a copyright carries more weight in a court of law than registration does

Screenplay
with WGA. He gives examples to prove his point. Also, by copyrighting your screenplay, you are able to make any and all changes you want to make without having to copyright your screenplay again.

Commitment to Professionalism

Donald L. Vasicek
Olympus Films+, LLC
The Zen of Writing
http://michaelc.nextmp.net/wordpress
dvasicek@earthlink.net

How to Get An Actor for Your Film

If you have an actor/actress in mind for your film, call the Writer’s Guild of America, and tell them you would like to have the contact information for the actor/actress you have in mind. You’re limited to 3 actors/actresses per call. Once you get the contact information, write up a small script about what you’re going to say, before you call. The fine point of getting through the gatekeeper, there will always be a gatekeeper, tell them how they can benefit by putting you through to the agent or the actor. Gatekeepers love to be the one who “discovers” the next great role for the actor/actress for whom they are working.

Award-Winning Writer/Filmmaker Donald L. Vasicek

One last thing, there are always going to be naysayers in the film business. Believe in your project. Believe in your passion. If you have a slam dunk story, you can get past having an A list actor/actress to launch your project. As for companies, simply keep in mind at all times that you’re bringing an intellectual property to them that can earn them millions of dollars.

I have learned that perseverance in the film business works. I know because I’ve been at it for 30 years. Don’t take no for answer.