The Story, Filmmakers and Writers Alike

Award-Winning Writer/Filmmaker Donald L. Vasicek - Colorado Forest

Utilizing my writing background, which has proved very helpful
to me when making a film, I am perplexed about why it is so
difficult for many filmmakers to put together a coherent story
in their films. 

I have no problem with putting together a story, and again, it
is based on my writing background.  In the conglomeration of
film, tape, stills, etc., the story is fun to put together.  Even
if the filmmaker wants to make a non-linear film, it must tell a
story so that viewers can get a grasp of what the film is.  A
beginning.  A middle. An ending.  A main theme that holds
everything together. A compelling subject matter or character
that goes through a transformational arc in the film.  And, thus, a
coherent story.

If the filmmaker who is having difficulty with putting a story
together, then, the filmmaker should look inside of themselves
for the story. I mean, the story idea came up. From where did
it come? Your foot? Maybe your nose? How about your brain
and heart?  And I don’t mean, to tell a story about yourself,
unless that is your intention.  I mean, you, the filmmaker and/or
the writer, should ask yourself questions like, who was I when I
got the idea for this film?  What was I doing at the precise time
the idea popped up in my mind?  Where was I? When did I come
up with this idea?  Why am I making this film?

If the filmmaker and/or writer writes down the answers to
these questions, she/he will discover the story. And, I
emphasize, write down, the answers. Don’t think them down.
Write them down. By writing them down it will cause thoughts
to surface in your mind that of which you have no conscious knowledge. 
The story is about passion. Every story is about passion.
The passion is inside of the writer and/or filmmaker’s mind and heart. 

If the passion is slaying a dragon, say being unhappy about the
way our earth is decaying, then, being unhappy about it
is the passion. You gotta’ go out and slay that dragon via making
a film about it or writing a story about it, or both. Identifying and
understanding your passion for the film, should become the main
theme for the film.  And so on.

I hope this sheds some light on an issue that can be very complex,
if we allow it to be that.

“Screenplays, The Third Act”

Billy Wilder

Someone, I believe Billy Wilder (“Some Like It Hot”, “The Apartment”,
“Double Indemnity”, “Sunset Boulevard”), said that “the third act must
build, build, build.” This means that you must make the tension of
what your main character is doing to achieve her/his goal go up, up,
up, like using a corkscrew to open a bottle of wine. The more you
twist, the tighter the tension in the cork becomes, until something
gives, the cork breaks, or whoever is screwing in the corkscrew,
decides it is time to pull out the cork with the corkscrew.

In other words, make it more and more difficult for
your main character to achieve her/his goal until
she/he comes to a point where he/she must either
give up her/his goal, or, he/she “goes over the top”,
experiences an epiphany, and accomplishes the
goal. Each obstacle (difficulty) must be more
challenging than the last. It’s like putting your
main character on a tree branch. Her/his
opposition throws rocks at her/him until the
branch breaks. Then, he/she falls in a raging
river. Then, in the river, he/she fights to keep
from drowning until he/she comes to a roaring
waterfall. The question is, will she/he, survive
the waterfall, or not?

When you have your main character at the “waterfall”
of your story, then you have your main character
decide at that point, what she/he has to do to
survive tumbling over the waterfall. To conquer
this, the main character must overcome her/his
greatest fear of accomplishing his/her goal
throughout the story. If he/she does, then he/she
experiences an epiphany. He/she faces her/his
fear and overcomes it.

Perhaps, instead of tumbling over the waterfall,
getting battered to death by rocks, and drowning,
which has been your main character’s primary fear
that has been keeping her/him from accomplishing
his/her goal in the story, that of the fear of drowning,
your main character swims back upstream and saves
herself/himself.

This is the last event in the third act. From
this point forward, wrap up all loose ends
of your story, send your main character
to the Olympics as a champion swimmer,
and end your screenplay.

I hope this has been of help to you.

Best Regards,

Donald L. Vasicek
OLYMPUS FILMS+, LLC
The Zen of Writing/Filmmaking/Consulting
http://michaelc.nextmp.net/wordpress
dvasicek@earthlink.net
303-903-2103
“You must be the change you want to see in the world.”
– Mahatma Gandhi

Award-Winning Documentary To Be Screened

The Sand Creek Massacre Movie Poster

The Sand Creek Massacre Movie Poster
The Sand Creek Massacre Film Poster

For Immediate Release

Donald L. Vasicek
Olympus Films+, LLC
303-903-2103

dvasicek@earthlink.net
http://www.sandcreekmassacre.net

“Award-Winning Sand Creek Massacre film to be Screened at Tribal College Librarians Institute”

Centennial, CO – May, May 24, 2011 2011 – “The Sand Creek Massacre”, an award-winning documentary film written, directed and produced by award-winning writer/filmmaker Donald L. Vasicek, will be screened at Montana State University.

“The Sand Creek Massacre”, an award-winning documentary film, will be screened at the Tribal College Librarians Institute on the campus of Montana State University in Bozeman, June 6-10, 2011. The film won Best Native American Film at The American Indian Film Festival in Houston and the Trail Dance Film Festival in Duncan, Oklahoma and best short film in Cleveland at The Indie Film Festival. The story of the Sand Creek Massacre is told on camera by Cheyenne and Arapaho people whose ancestors were at Sand Creek during the massacre. Donald L. Vasicek, award-winning writer/filmmaker, who wrote, directed and produced the film via his film company, Olympus Films+, LLC, said, “This film is vital to inform, to educate, and to create awareness, for not only the Cheyenne and Arapaho people, but for all of the indigenous people in America. It helps neutralize ignorance and fear of cultures without the exposure to which most Americans have grown accustomed.”

The film has been screened at colleges and universities throughout the United States and in Europe in addition to various Native American and minority rights organizations and groups. It has also been aired in Philadelphia, Houston, Dallas, Los Angeles, and Phoenix. It is being distributed in North America and Asia by Films Media Group.

Olympus Films+, LLC was founded by Donald L. Vasicek in 1993. It has produced such films as “Faces”, a documentary film about who gays and lesbians really are, and “Oh, The Places You Can Go…”, a documentary film about kids with special needs in transition.

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Donald L. Vasicek
Olympus Films+, LLC
The Zen of Writing
http://michaelc.nextmp.net/wordpress
dvasicek@earthlink.net
303-903-2103