Writing Decisions/Theme

One of the most demanding elements of writing is decision-making. Writers are constantly challenged to make decisions. Decisions about the way the story should be written. Decisions about individual characters. Decisions about the color of a vehicle. Decisions about how many fingers someone has (the story might work better for a character if she had seven fingers instead of eight fingers). Decisions about letting the story go its own way after you have planned it to go another way. Decisions about characters changing, or not changing, and/or letting them go the way they want to go instead of the way you want them to go. Decisions, etc.

The key to making good decisions is to have a guide before you begin writing. The guide, as I call it, is the theme. And the theme is found by the writer looking inside of themselves to discover their passion for writing the story they have chosen to write. Sometimes, there is more than one theme, but there should be one dominating theme, throughout the story. The theme for your book (do you want me to tell you what it is, or do you want to tell me what it is?)…. So, focus on your theme to help you make decisions as you evolve with the writing of your story. If a character, or a segment in the story, doesn’t include the theme, then that character, and/or that segment in the story should not be used.

How to Write a Story

How do you write a story? Anyone want to venture a guess? My guess is that you have a theme that should work like a thread that holds the story together. The story should have a beginning, a middle and an end. There should be a main character who has a goal and transformation arc. Seeking the goal should cause the main character to transform. This way, the story won’t fall flat because the main character is changing.

And every story should have an antagonist (in fiction, an antagonist can be a person, object, thing, etc. the fine point of this is that an antagonist is different than a villain. A villain must represent pure evil with no redeeming characteristics. Whereas, an antagonist should have redeeming characteristics). By having an antagonist, or a villain, you should also have the antagonist or villain seeking the same goal as the main character, but for different reasons. This, in turn, then causes conflict. And this, in turn, creates drama. Without drama there is no conflict. Without conflict there is no story. And all of this is applicable to anything one writes including fiction. So, do some reading and check it out. You’ll find this article is right on for you.

Award-Winning Writer/Filmmaker Donald L. Vasicek (on the right)
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Screenplays, WGA, Copyrights

In Reed Martin’s, “The Reel Truth”, he recommends that filmmakers copyright their screenplays. The reason for this is that a copyright carries more weight in a court of law than registration does

Screenplay
with WGA. He gives examples to prove his point. Also, by copyrighting your screenplay, you are able to make any and all changes you want to make without having to copyright your screenplay again.

Commitment to Professionalism

Donald L. Vasicek
Olympus Films+, LLC
The Zen of Writing
http://michaelc.nextmp.net/wordpress
dvasicek@earthlink.net