“How to Write Theme”

If you eat a tortilla with cannabis butter, within 15 minutes, your body will feel an electrical-like blitzkrieg coursing your body. This charge is a dichotomy. It reverberates throughout your organs, muscles, nerves, etc. Your body is charged. Yet, your mind, which is part of your body for those of you who failed Biology 101, relaxes. And you are fine for the time.

Can you name the theme for this story? What defines the story? One word? Cannabis.

With theme, whether you’re writing a t.v. commercial, an online ad, a short story, a poem, a book about engineering, a novel, an article for a legal journal, a screenplay, etc., theme is what holds everything together that you are writing. Just like the cannabis theme for the above story, without cannabis in the story, it would be anyone’s guess as to what the theme is.

In my Disney-type screenplay, “The Real Ghost”, a boy is racing his bicycle in the dark night to sneak a meet with his girlfriend. It is a small town. As he whizzes past the corner convenience store, one end of a sign advertising Marlboro cigarettes, drops. The sign swings and clangs in a quiet breeze. Frightened by the silence in the street and his not supposed to be doing this attitude, with no one present, the boy glances over his shoulder at it. What is the theme here?

“The Real Ghost” is about a teen boy who tells stories that aren’t true. At the meeting place, his girlfriend yet to arrive in the yard of an abandoned house, he suddenly sees Babe Ruth appear. When he tells everyone in town of this sighting, they accuse him of lying, like he did last summer when he told everyone he saw Sammy Mango walking in Butch Carlisle’s yard at 1 a.m. Seems Sammy had been dead for several years, the victim of a falling pallet of landscaping rocks while sneaking a toke of a joint at the local lumber yard.

Has anyone guessed the theme of this movie yet? Lying is the theme of the movie. The Marlboro sign dropping and swinging reflects the theme of lying. The boy has lied to his parents. He told them he was going over to the gym to shoot baskets. They had forbidden him from seeing his girlfriend, because her father is the mayor, and the mayor does nothing in the town but blow smoke. They don’t want him influencing their boy in anyway, particularly since their boy already blows smoke himself, just to get attention. The clanging sign is a warning to the boy that what he is doing is wrong because he lied to his parents, and the boy doesn’t heed the warning.

By telling everyone that he saw Babe Ruth, the boy’s problems about lying escalate.

The fine point of theme is that it should be reflected in some form, physical, or mental,
in every change of location or time regarding what you’re writing. Every time! It matters not what you are writing. It matters yes that you paste your theme on your and in your characters, their surroundings, and their time in what your are writing. This approach to writing theme will have the same effect that the roots of a tree has. Without the roots, there would be no tree. Without theme, there is no story. Without story, there is just a blob of words.  Without a tree, there is no shade.

Warning: Watch out for falling pallets of landscaping rock.

Donald L. Vasicek at Wrigley Field in Chicago

How Do You Start To Learn Screenwriting?

The first time I wanted to write a script,
I wrote it. I went to the local book store
and bought every book on screenwriting.
I studied the books and drafted a
screenplay. This led to a rewrite.
Rewriting is screenwriting. It’s like
sculpting. The writer refines and refines
always striving for perfection. Perfection
is relative, so, the writer must get to the
point where they are satisfied and then,
the writer should begin the process of
marketing the script.

I finished my first script in two weeks.
In one month, I had a WGA agent. In
six weeks, the script was being read
by someone at Disney. It was eventually
produced and aired on cable.

I created a job so that I could write. The
job was to sit for visitation at a mortuary.
It allowed me to study and to write.

If you are able to squeeze in one hour
each day to write, you will eventually be
able to write for more than one hour
each day. Like cleaning your teeth, set
aside a certain amount of time each
day, simply, to write, even if that is
only 30 minutes. The key, is to write
everyday at that time, even though,
at times, you may feel like it’s useless.
That is part of being a writer, to deal
with feelings of uselessness. It goes
with the territory. It is the writer’s
job to overcome that, as well as other
emotions that come up.

Writing requires creativity. Creative
people are usually on the edge of
emotion, most of the time. So, that
also usually goes with the territory
of writing.

I hope this has been of help to you.

Best Regards,

Donald L. Vasicek
The Zen of Writing and Filmmaking
http://michaelc.nextmp.net/wordpress
dvasicek@earthlink.net

“The Anatomy of Theme in the Screenplay and Movie”

by
Donald L. Vasicek

What is theme? What does it mean? How does it apply to the screenplay? According to Merriam Webster dictionary, theme is: “A subject or topic of discourse or artistic representation.” In the screenplay, the theme must be introduced as early as possible. It should be introduced, as a visual, if at all possible, by page 3 of the screenplay or minute 3 of the film.

Since film is a visual medium, the screenwriter must strive to visually write. So, showing should take the place of telling in screenwriting. This is vital if you want to sell and get your screenplay produced.

How does one do that? Well, in “Born to Win”, one of my produced and award-winning screenplays, Justin, the main character in the film, has shown on Page 1, through a metaphor, that trust is the theme in the movie. This was visually accomplished in minute 1 of the movie by showing a butterfly fluttering away from Justin’s mother’s headstone. Justin won’t let go of his deceased mother, a problem he exhibits throughout the movie. The butterfly shows, “letting go”, by flying away, as a means for having trust.

On page 3, the theme for the movie is exhibited:

“Callie smiles. She tends the graves. Justin lingers. He notices Charlie’s shadow lengthen over him.

Charlie places his hand on Justin’s shoulder. He guides him towards the car. Justin slips his arm around Charlie’s waist.”

Can you identify the theme of trust in this scene? What visual shows that?

“Justin lingers”? It would work to show trust, with the exception that Justin lingers. It shows that Justin is giving Callie some consideration as someone he can trust. The key to utilizing “Justin lingers” as the theme is identified in the verb, “lingers.” “Lingers” exhibits the possibility of trust, but it does not exhibit trust. So, “Justin lingers”, is not the theme in the movie.

How about “Charlie places his hand on Justin’s shoulder.” There is an indication of trust here. Remember Justin is the main character, so everything should be written and seen from his point-of-view. Here, Justin allows Charlie to place his hand on his shoulder. So, this visual allows the first peek into the theme for the movie, trust, but it is not the theme.

Utilizing the visual approach to screenwriting and movie-making empowers the characters and it empowers the story. Without, the screenplay and/or the movie, falls flat and theaters will not want to exhibit it, let alone distributors picking it to put in theaters.

So, the more visuals the screenwriter can write and the filmmaker can film, the more powerful the screenplay and the movie will be. This, in turn, will create revenue. This, in turn, will create more work for the screenwriter and the filmmaker. That’s the way it works in the movie business.

So, instead of giving examples of screenplays and movies that back up what I am writing here, I will leave that up to you. Look at movies. Study them for the theme, particularly early on in the movie.

And, instead of telling you what visual in my example, “Born to Win”, depicts the theme of the movie, “trust”, you tell me. My email is dvasicek@earthlink.net. I’d love to hear from you.

Your choices are: “He guides him towards the car.” Again another element of trust, or is this the visual that identifies the theme, “trust.”

Or, is it: “Justin slips his arm around Charlie’s waist.”

You tell me. And remember, the theme, once exhibited in the screenplay and movie, must be visually shown in every scene from page 3 of the screenplay and minute 3 of the movie through to the end. If the screenwriter fails to execute the theme this way, then, the screenplay and the movie will fall flat.

And the screenwriter and filmmaker can show opposing views of the theme. For example, in “Born to Win”, Justin learns that the bad guy in the movie is one he should not trust, while the bad guy shows that he doesn’t trust law enforcement, and even his cohort.

Donald L. Vasicek
Olympus Films+, LLC
The Zen of Writing/Filmmaking/Consulting
http://michaelc.nextmp.net/wordpress
dvasicek@earthlink.net

John Wayne's birthplace.  Winterset, Iowa
John Wayne's birthplace. Award-Winning Writer/FIlmmaker Donald L. Vasicek/Winterset, Iowa